Ultimate Metal
Arsis's third outing in as many years is
predictable, offering nary a surprise yet delivering what we've
come to expect from Malone and company - guitar-centric melodeath
that is, above all, kickass. Proving their abilities and consequent
value from the outset with the highly-lauded A Celebration of
Guilt in 2004, and cementing it further with the epic-based EP
A Diamond for Disease, United...Read More
Aversionline
I fucking love Arsis. Great
guys, great band. That's all there is to it. I'll admit that
portions of the advance tracks from their latest masterpiece,
"United in Regret" (another winner from the ever-impressive
Willowtip), seemed a little
more standard to me in terms of melodic death metal influence
and riffing stance, but I tried not to concern myself with that
as...Read More
Skyline Press
With Arsis' follow up to their 2004 Willowtip
debut, "United in Regret" stands as no surprise, one of the years
most highly anticipated technical death metal releases. In this
album, upon first listen it's blatantly obvious that the band's
sound has changed a little bit which of course brings up conflict
within listeners. For those of you that are wondering, yes Arsis
have changed their...Read More
Stereo Killer
Well, the long-awaited Arsis full-length has risen after the cock
tease of an EP 'A Diamond for Disease'
If you are a fan of Arsis's previous endeavors, on the first
listen of "United in Regret" it's not going to hit you the right
way; almost guaranteed. The first time I played UiR I thought it
was actually a step backwards for the band, only because I was so
used to the sound of Arsis on...Read More
The Village Voice
Arsis are a two-man death-metal group from Virginia (they rent a
bassist and second guitarist for live gigs). Their debut, A
Celebration of Guilt, piled one knuckle-popping riff atop
another like they were challenging peers and fans alike to keep up,
but anthemic, almost arena-ready choruses were their secret
weapons. It was a fierce combination, and had they emphasized their
melodic side...Read More
Paste Punk
I often struggle with some form of writer's block when writing
album reviews, because a part of me wants to be quasi-Pitchforkian
in my writing style and another part wants me to actually write a
substantive review that gives a detailed analysis of each review in
question. However, in this case, I think I'm going to give up on
both notions and just write.
So, ARSIS have finally given us...Read More
Pop Matters
Upon first glimpse, the combination of ballet and death metal
seems horribly unnatural in the eyes (and ears) of both ballet
aficionados and fans of extreme music, and indeed, when Virginia
band Arsis was asked by New York avant-garde dance troupe Ballet
Deviare to compose a commissioned piece of music specifically for
ballet interpretation, more than a few eyebrows were raised on both
sides...Read More
Deadtide
Arsis have always been on the fast track to success. Some bands
churn away for years before getting that 'big break', but Arsis
seized the spotlight from the beginning. Recently, aside from
releasing one of the most stunning EP's of the new millennium
(particularly so for the fact that a single 12-minute song made the
purchase worthwhile, regardless of the other two tracks), they've
also...Read More
Deaf Sparrow
S omebody used the word 'superb' to describe United in
Regret. And I totally concur. No doubt about it. It took me
a while though. At first it came off as your average run of the
mill technical death trash band, yet once you delve deeper, which
comes with the second or third spin, you'll get what this is all
about. ARSIS is not necessarily taking trash death metal to a
whole new level,...Read More
Digital Metal
In 2004, Virginia?€™s Arsis burst on to the scene, with their
searing debut A Celebration of Guilt, a rightfully
acclaimed record, not just because it was a great record, but also
because it was a great melodic black/death records from the US and
the flag waving media was quick (and rightfully so) to anoint them
as US metal saviors. The 2005 EP A Diamond For Disease as
well as some exposure...Read More
Delusion Envelope
Yet another release from our Generation's greatest Record Label,
here
we have Arsis' "United in Regret", their second Full-Length, and
third
Release on Willowtip. After last year's spectacular "A Diamond For
Disease"
EP, I was eagerly awaiting this album, and have not been let down.
Not just
another "Slaughter of the Soul" Ripoff, Arsis continue their
Musical
campaign with yet...Read More
Metal Maniacs
"This dynamic tandem triumphantly displays its far-reaching
melodic death metal wares with heaps of blazing fretwork, soulful
guitar solos and complex percussion leading the charge." - Metal
Maniacs
Read More
Teufels Tomb
Arsis ' United in Regret was one of my most anticipated releases of
2006. After hearing their debut A Celebration of Guilt and mildly
enjoying their last EP release, I really wanted to hear how the
band grew on their second album. The first album was a strong
technical melodic death metal record, but while all the songs were
individually enjoyable the album didn't work as well as a...Read More
Lambgoat
In the last few years, Willowtip Records has quickly become the
most consistent and (arguably) most innovative label in metal.
While they certainly weren't the label's first band, Celebration of
Guilt was one of the label's breakthrough releases and Arsis have
made quite a name for themselves touring behind that release and
its follow-up EP, the ambitious Diamond For Disease. Two...Read More
Tartarean Desire
James Malone is back in 2006 with the latest opus from his band,
Arsis: United in Regret. If you are unfamiliar with the
man and his work, know that Mr. Malone has historically done
everything on Arsis albums but play drums. That task falls to the
very able Mike Van Dyne, ladies and gentlemen. This time around
Noah Martin is credited with the 4-string madness, though he is
apparently not a...Read More
Decibel Magazine
Virginia death metal duo Arsis are still trapped in group
therapy, waiting for a sign that it's OK to move on within the
seven recognized stages of grief. Somewhere in a musty Kiwanis club
rec room, guitarist/vocalist James Malone raises his hand and
apologizes for his crippling inability to get over the greatest
love of his life. Drummer Michael Van Dyke pats him on the shoulder
and later,...Read More